The True Cult of Womanhood
The True Cult of Womanhood (detail)
The True Cult of Womanhood (Detail)
True Biology
True Biology (detail)
True Biology (detail)
We The Women 40"x60"
Lizzie & Hannah in The Yellow Wallpaper, 24" Quilt Square
We Abstain
Laced IN, Impoverished women and children worked for long hours in hazardous environments with minimal compensation
Laced IN (Detail)
Laced IN (detail)
The True Cult of WomanhoodThe True Cult of Womanhoodchain to fringe 34"finial to finial 29"2016-17
The True Cult of Womanhood (detail)The True Cult of Womanhood (detail)2016-2107
The True Cult of Womanhood (Detail)The True Cult of Womanhood detail2016-7
True BiologyTrue Biology2016-2017chain to fringe 70.5" finial to finial 35"Cotton Aida, lace, chain, needles, ribbon, metal lockets, plastic, faux flowers, tintypes, cord, cotton fabric
True Biology (detail)True Biology (detail)2016-2017
True Biology (detail)True Biology detail2016-2017
We The Women 40"x60"We The Women40x60 fiber2022
Lizzie & Hannah in The Yellow Wallpaper, 24" Quilt Square Lizzie & Hannah in The Yellow Wallpaper, 24" Quilt Square 2021
We AbstainWe Abstain
Laced IN, Impoverished women and children worked for long hours in hazardous environments with minimal compensationLace making began in Europe in the 16th century. It was once the most coveted and expensive textile in the world and for the wearer it represented wealth and power. My piece concentrates on those who actually crafted the lace. Impoverished women and children who worked for long hours in hazardous environments with minimal compensation. They were frequently employed by demanding and exploitative men who were aware of the dire situations these women faced. Children commenced work as early as the age of 5, often putting in 8-hour shifts. Many workers suffered from blindness by the age of 30. The lives of lace makers stood in stark contrast to those who adorned themselves with these exquisite fabrics.9’x 5.5’2026
Laced IN (Detail) Laced In Detail
Laced IN (detail)Laced IN (detail)
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